BRUNO SCHULZ MITYZACJA RZECZYWISTOCI PDF

As we all know by now, the reception of Bruno Schulz’s work is a long story, vast in scope. 37 B. Schulz, Mityzacja rzeczywistości, in Opowiadania, p. famous essay Mityzacja rzeczywistosci [The Mythization of Reality], nMityzacja rzeczywistosci, in Bruno Schulz, Proza (Krakow: Wydawnictwo. Literackie. 2 “Poezja – to są krótkie spięcia sensu między słowami, raptowna regeneracja pierwot-nych mitów.” Schulz, Bruno: “Mityzacja rzeczywistości”. In: Schulz, B. and .

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Poetry arrives at the meaning of the world anticipando, deductively, on the basis of great and daring short-cuts and approximations. Co nie ma sensu, nie jest dla nas rzeczywiste. The word in its colloquial, present-day meaning is now only a fragment, a rudiment of some former, all-encompassing, integral mythology. If you continue without changing your settings, we’ll assume that you are happy to receive all cookies on this website.

Why something should scuulz meaningful to us is impossible to define. It is an absolute given. But knowledge, too, is nothing more than the construction of myths about the world, since myth resides in its very foundations and we cannot escape beyond myth.

The driving force of human knowledge is the conviction that at the end of its investigations, it will discover the ultimate meaning of the world.

It seeks this meaning on the heights and scaffolding of its artificial mounds. Speech is the metaphysical organ of man.

Schulz, Bruno: Mityzacja rzeczywistości

Speech is the metaphysical organ of man. The isolated, mosaic-type word is a later product, is the result of technique. The human spirit is tireless in its glossing of life with the aid of myths, in its ‘making sense’ of reality.

It cannot be derived from other givens. Knowledge tends to the same inductively, methodically, taking the entire material of experience into account. That which has no meaning is not real for us.

Bruno Schulz

Our most sober concepts and definitions are distant offshoots of myths and ancient stories. But the elements which it uses in construction have been used once before, have come from forgotten and shattered ‘stories’. Poetry arrives at the meaning of the world anticipando, deductively, on the basis rxeczywistoci great and daring short-cuts and approximations.

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It cannot be derived from other givens. The page may have changed since that time or the link to it may be broken. For rzezcywistoci reason, every kind of poetry is an act of mythologization and tends to create myths about the world.

The mythologization of the world has not yet ended. The spirit’s first and foremost function is to tell stories and to make up ‘tales’. Co nie ma sensunie jest dla nas rzeczywiste. The life of the word resides in the fact that it tenses and strains to produce a thousand associations, like tzeczywistoci quartered body of the snake of legend, whose separate pieces sought each other in the dark. The isolated, mosaic-type word is a later product, is the result of technique.

Poetry re-cognizes the lost meanings, restores words to their proper place, and links them according to rzeczywisfoci ancient denotations. The unnamed does not exist for us.

The image is also an offshoot of the original word, the word which was not yet a sign, but a myth, a story, or a meaning. The poet restores conductivity to words through new short-circuits, which arise out of their fusions. In the hands of the poet, the word, as it were, comes to its senses about its essential meaning, it flourishes and develops spontaneously in keeping with its own laws, and regains migyzacja integrity. There is not even one of our ideas that is not derived from mythology, a mythology that has been transformed, mutilated, remoulded.

Nienazwane nie istnieje dla nas. Philosophy is really philology, the creative rzeczywistocj of the word. But rzeczywustoci reverse would be more accurate: For that reason, it retains within it a tendency to grow again, to regenerate, to become complete in its full meaning.

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Bruno Schulz | Open Library

The driving force of human knowledge is the conviction that at the end of its investigations, it will discover the ultimate meaning of the world. The word itself, left to its own devices, gravitates towards meaning. For that reason, every kind of poetry is an act of mythologization and tends to create myths about the world.

Translated by John M. At present we consider the word to be merely a shadow of reality, its reflection. The mythologization of the world has not yet ended. The thousandfold yet integral organism of the word was torn into individual phrases, into letters, into colloquial speech and in this rzeczywjstoci form, applied to practical needs, it has come down to us as an organ of understanding.

Mityzaja website is using cookies. That which has no meaning is not real for us. When we employ commonplace words, we forget that they are fragments of ancient and eternal stories, that, like barbarians, we are building our homes out of fragments of sculptures and the statues of the gods. Knowledge tends to the same inductively, methodically, taking the entire material of experience into account. The Mythologization of Reality English The essence of reality is meaning.

To name something means to include it in some universal meaning.

The life of the word resides in the fact that it tenses and strains to produce a thousand associations, like the quartered body of the snake of legend, whose separate pieces sought each other in the dark.

It seeks this meaning on the heights and scaffolding of its artificial mounds. This is Info-Poland’s cache of http: Poetry re-cognizes the lost meanings, restores words to their proper place, and links them according to their ancient denotations.