Coriun Aharonian (Uruguay Section). Could we begin asking what and why? It is not necessary to go over the history of the ISCM since its creation, to state firmly. Download Citation on ResearchGate | On Sep 1, , Eduardo Herrera and others published The Uruguayan composer Coriun Aharonian: Music, ideology. Coriún Aharonián (Q). Uruguayan composer. Coriun Aharonian. edit Coriún Aharonian. retrieved. 9 October place of birth · Montevideo.

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Coriún Aharonián – Wikipedia

One of the main aims of those who gave money to the festival was to develop the ‘Ruhrgebiet’ into a European cultural center. In ‘The Ruhr Gebiet ‘, only 3 out of 10 internationally symphonic works chosen were performed. The poster of the festival was itself a gay manifesto. It is not necessary to go over the history of the ISCM since its creation, to state firmly that an ISCM festival, every one of its World Music Days, must be, at the same time, the possibility for a regular observation of creative trends in art music throughout the world; a wager to quality, both in composition and in performance; an opportunity for composers to meet, to compare their experiences and to exchange them; a risky approach to necessarily renewed points of view, to discussions about which can be considered, at ahaornian moment, the establishment, to serious innovations in language, to openings of the eurocentric standards.

October 13, at These concerts attracted quite a lot of adult and young listeners aharinian 12,? A first problem is that we are dealing with Western European categories, and that the point of departure is, inevitably, Western European music history. Kurtag’s works, giving excellent proof that ancient musical points of view should join and enrich our new ones, as well as several other concerts.


Hosokawas’ ‘Super Flumina Babilonis’ and L. We can also expect to be reminded of the existence of representatives of more ancient generations, whose music changed a former style!

Coriun Aharonian – IMDb

A renewal of habits for the pieces out of the jury’s selection could have been very positive. Chan, – and also in being back in time for aharoinan busses that took us to the other concerts.

This year, after the Essen committee threw out some of the internationally-chosen works and members, they added 10 members 24 ISCM members were presented! Varese, Luigi Nono, etc.

For people from the actual Third World it looks extremely ridiculous in a First World rich and powerful country, to expressly exclude or replace good listening places just for fun, or for aesthetic fancy, or for cheap sharonian. One or more concerts was cancelled, and ‘Epitaphs’ by Albanian T.

The fact that many of these places factory buildings, some of which compete with the beauty of churches and have very special acoustics were not traditional concert halls, probably helped to attract anew type of listener to go to these contemporary music concerts, thus fulfilling a major ISCM aim!

Member Listing How to Apply Login. Learn more information here: There is no serious possibility of sustaining such an absurd presentation of facts. Let us hope that the above-mentioned ideals, and of course even more ideals, can be realised soon!!! This was quite a shame.

The International Music Council’s International Rostrum of Composers has made audio streams of the 50 works submitted in their most recent convening available for listeners online between now and 14 October Skip to main content. The fact that these three works – Chaya Czernowin’s ‘Amber’, Jo Kondo’s ‘A Shape of Time’, Peter Eotvos’ ‘Psychokosmos’ – were good enough as music, and that the public enjoyed their expression and style, proves that the Essen Committee was wrong not to use the other works chosen.


To attract new audiences, some street and park concerts should also be produced, as well as concerts in all types of museums. Strictly speaking, every cultural activity is elitist, because it belongs to a more or less codiun circle of people initiated in its language and its codes.

Coriún Aharonián

One proof is that 23 concerts were performed in 11 different places in Essen, and 10 more concerts were done in the neighboring cities of Duisburg, Dortmund, Bochum, Herne, Oberhausen, in 8 different places, and attracted a lot of people.

Since I have heard many contemporary operas in German opera houses like Berlin, Hamburg, Frankfurt, Stuttgart, Munich and Cologne, and also enjoyed ballets with modern music in them and in Pina Bausch’s Wuppertal Dance Theatre, I was astonished that none of them were invited to this festival!

This first cotiun of development seemed quite earnest and successful. Something must be cleared up once and for all: No one of these names was using the ISCM fa! On Facebook View Post. Even the evolutionist career is fundamentally a Western European illness.

The 2 ‘recommended performances’ were thrown out!

Performers of all kinds must also be provided with biographies. And the duality of art music as a parallel language to popular music, ahaeonian their different codes, is also a European concept.