It is like stumbling across an alien manuscript, something unearthly and beautifully rendered, but incomprehensible. Cornelius Cardew’s Treatise has been. Graphic Scores from “Treatise” by Cornelius Cardew Cornelius Cardew ( – ) was a British music composer, who worked as an. Treatise [Score] – Cornelius Cardew PDF [35Mb] ‘Treatise is a graphic musical.

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The score is not accompanied by any explicit instructions to the performers in how to perform the work, or what sound-producing means are to be used. Works by Anton Stankowski – German graphic designer and painter Anton Stankowski – worked on dcore possibility of….

Learn how your comment data is processed. This historical recording offers a unique perspective to hear Treatise as interpreted by Cardew’s contemporaries.

However, he says that graphic artists and mathematicians may be more prepared to cornelus interpret the score although they may have less capability controlling a musical instrument and producing their desired sound. Cardew exemplifies a professional musician as making the sound and the improvisers in AMM as being the sound.

The Beauty of Indeterminacy. Graphic Scores from “Treatise” by Cornelius Cardew

It was written in stages over a period of four years and completed in In writing this score, Cardew has taken great care to not suggest ways in which it should be read or interpreted by performers cornelus the work. Yes improvisation is a sport too, and a spectator sport, where the subtlest interplay on the physical level can throw into high relief some of the mystery of being alive. Identification with nature is similar to preparedness.

The work appears to be a collection of abstract markings and shapes that evolve over its pages. Alternatively it could allow forms of improvisation.


Herbert Bayer was a prolific graphic designer and typography designer who also worked as a…. Leave a Reply Cancel reply Your email address will not be published. He goes on to describe improvisation as a relationship between performer, audience and music that is lodged within the time-span of its performance.

Cornelius Cardew – Treatise Handbook

Except where otherwise noted, the content on this site is licensed under a Creative Commons Attribution-ShareAlike 3. Treatise is a graphic musical score comprising pages of lines, symbols, and various geometric or abstract shapes that largely eschew conventional musical notation.

They began using many other instruments and non-instruments, resonant objects made from glass, metal and wood. The horizontal central bar is the main and most constant orientation; what happens where it ceases or bends? And, although Treatise has often attracted free improvisers, we’re definitely not talking anything goes n’importe quoi I have serious doubts about some of the other available recordings of the work, though ; you can hear the players thinking, both in the long stretches of silence and in their explorations on instruments “none of us really knew how to play.

Distinguish symbols that enclose space circle, etc.

Herbert Bayer’s Small Architectural Projects Herbert Bayer was a prolific treqtise designer and typography designer who also worked as a….

Selflessness is included to highlight the performers required concern for the work rather than the documentation of it.

On 11th March 65 for example, Cardew was obviously thinking about the score while reflecting on the central black line that runs throughout the piece with only the occasional break; Treatise: Views Read Edit View history. He states the implicit contradiction in attempting to describe a piece of work that has been constructed in order to remain open to interpretation.

Any number of musicians using any media are free to participate in a ‘reading’ of this score Other forms also share the score; for example there is a very large black disc on page and similar smaller discs and partial discs on surrounding pages.


The tapes have been carefully restored and remastered, but there’s still plenty of vintage analogue airiness to the sound.

Implicit in the title is a reference to the philosophy of Ludwig Wittgensteinwhich was of particular inspiration to Cardew in composing the work. This October recording of the work – not the complete score, as Petr Kotik’s liner notes here make clear it would have been nice to know which pages were performed Preparedness is tteatise as a delicate balance.

Remember that no meaning is yet attached to the symbols. However, Cardew allows resemblances to occur only as a reminder of the works musicality.

The Beauty of Indeterminacy. Graphic Scores from “Treatise” by Cornelius Cardew – SOCKS

He suggests that a sudden absence of notation might leave a performer feeling abandoned. You ask Keith Rowe. This site uses Akismet to reduce spam.

Bil Smith 22 February at Cardew refers to Wittgenstein again and quotes him equating the cornellius structure of recorded music to the logical structure of a score.

Treatise (music)

Czrdew with many graphic scores I feel that interpretation of the score is best carried out by performance rather than by written critical analysis. Disseminate mode Somei Satoh: We worked regularly over a long period of time, ending coornelius with a 2-hour version of the piece And if you’re looking for interesting musical questions to ask, you can’t do much better than Cornelius Cardew’s Treatise. From the Depth of Silence: Cardew worked on the composition from to