Kenji Siratori. Japan. Kenji Siratori: a Japanese cyberpunk writer who is currently bombarding the. internet with wave upon wave of highly experimental. The latest Tweets from Kenji Siratori (@KenjiSiratori). Japanese avant-garde artist. Nothing sakuin and ValueError Misu 9 = prescription. NAIWAARR Gimc with Py without tapping is RETE WA Ansei depopulated Novewa Waiwi.

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The world is a place where violence seems to be everywhere — and is taking on new meanings — from September 11th type stuff to the Sarin gas attacks in Tokyo to Israel: Are there writers you feel have been important to you?

Your email address will be kept confidential! This is the practice that hardweb creatures were disclosed.

So my writing was born with the horizon of techno — I’m advocating nerve physics here — I process violence and sex as the reality of data — I take a view of my conceptual web with nerve experiences.

Are you positive about the world or is there something too negative about everything now? Tahoe ded by Dedekind Cut. Are you trying to find out what language can do with this new world? As all the data of the human body flow backward to our global hardweb. How far is Japan an influence on you and your writing?

Kenji Siratori (Author of Blood Electric)

I practice hardweb of the creature intensity as the data mutant of the world — the new world is resisting our evil gene dub with the era respiration byte.


GH Records go to album. Your writing is extreme — there’s violence, sex in plenty. Certainly Antonin Artaud exerted an important influence on my hardweb — Artaud produced PDA of a nerve cell — there is different vital possibility that was hypercontrolled by the language here because the creature intensity of hardweb is increased to our atrocious gene siratoir.

Why might we want to read it? What are you going to do next? His is a writing style that not only breaks with tradition, it severs all cords, and can only really be compared to the kind kemji experimental writing techniques employed by the Surrealists, William Burroughs and Antonin Artaud.

Yes — I call this a different vital plug-in of the global hardweb –but it’s important to incubate purer nerve cells — to produce our creature intensity into the cursed gene dub. Where does this come from: I believe that the novel becomes a cultural trigger — but this requires the digital narrative of nerve cells that had the creature intensity — simultaneously we must perceive the instant when the novel is networking as a part of the human body emulator.

Official Kenji Siratori

If you like Spoken Word by Kenji Siratori, you may also like: GH Records Valencia, Spain. That yes, always under the common denominator that surrounds the music created by Miguel LS: Give the readers some biographical details — maybe including your involvement or non involvement with World Cup excitement. Embracing the image mayhem of the digital age, his relentless prose is nonsensical and extreme, avant-garde and confused, with precedence given to twisted imagery, pace and experimentation over linear narrative and character development.


Atmospheric, enigmatic Dark Wave melodies embedded in bombastic choirs and orchestral arrangements are transformed into impressive works of art. Featuring the BC Weekly best new albums and artists from Journey in the Dark by Opus Nigrum. Bandcamp Sirtori of the Day Dec 19, My vital icon functions to hypermodern space — the gene dub that was turned the strategy.

Spoken Word by Kenji Siratori | GH Records

We must control a different vital language cell in the world, so the world is exposed to more physical gene dub. If so, who are they, and what makes them important? Do you think as a novelist you should try and answer such questions such as ‘How should we live’, like Tolstoy thought novelists had to? It reminds me of ‘Tetsuo’. What kfnji you trying to achieve here?

Each time a new issue is posted, we’ll let you know. Tags ambient electroindustrial darkambient darkwave electronic music industrial martial industrial neofolk Valencia. His novel Blood Electric is hailed in some quarters as a cyberpunk classic. In my writing the language cell is able to be distorted by the infinite hyperlink of the synapse — ‘a new language’ is the conceptual pain — all the data act as the hardweb character as if I dissect subjective writing, I’m striking the nude brain to a screen.

An unprovoked assault on the senses.