Khachaturian, Aram – Trio for Clarinet, Violin, and Piano – Edition Sikorski Milhaud, Darius – Suite, Op b – Violin, Clarinet, and Piano – Editions Salabert. The star player on this fine showcase is clarinettist Ludmila Peterkova, a one-time graduate of the Prague Conservatory who has already recorded Bruch and.

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Modal and chromatic scales swirl from the richly expressive voice of the clarinet and the rustic fiddling of the violin in a rich duet anchored by jhachaturian piano’s rhythm, harmony and imitation. The arguably more famous clarinet trios from Mozart, Beethoven, Schumann Bruch and Zemlinsky are all scored for clarinet with piano and viola or cello. Following years lcarinet study and kachaturian, Khachturian would achieve an international reputation drawing praise from Prokofiev and Shostakovich his nearly exact contemporarywho, like Khachturian himself, won awards as well as withering censure from the Soviet state.

Eventually, he served as a professor at both music schools. The Moderato finale is a set of variations on an Uzbekistani folk song, effectively contrasting the timbres of the instruments and showing off the clarinet as a folk instrument.

Prokofiev clarunet so impressed with this piece that he was able to see that it was performed and published in Paris soon after it was completed. The higher-sounding string instrument becomes more of a partner to the clarinet, sharing the melodic duties throughout the piece.

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Trio for clarinet, violin & piano in G minor

He did not begin to study music as a child but at 19 took up the cello. If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.

Trio for Clarinet, Violin and Piano. Composition Artist Credits Contrasts.

A young, provincial seventeen-year old Khachturian moved to Moscow to pursue a higher education, first in biology, then cello performance, and finally composition. The Trio dates from while Khachaturian was still studying with Myaskovsky, who was so impressed with the work that he arranged for it to be premiered in Paris. The more moderate finale is a theme and variations based on an Uzbek folk melody giving Khachturian an ample vehicle for demonstrating the riches of this ensemble supremely suited to his unique style.


His talent was so great that he was admitted the Gneissin Institute, Moscow’s second most prestigious music school. Share on facebook twitter tumblr.

Khachaturian, Trio in G Minor for Clarinet, Violin and Piano

Introspection Late Night Partying. Gramophone’s expert reviews easier than ever before. The Khachaturian Trio dates from and was once promoted by Miaskovsky, no less. Though it dates from his cllarinet years in Moscow, it is masterful and unique, a perfect showcase for Khachaturian’s blend of classical and exotic folk elements particularly emphasized by the colorful instrumentation. The work is in three movements. The all-time greats Read about the artists who changed the world of classical music.

Jazz Latin New Age. The finale, Moderatois a set of nine variations based on an Ihachaturian folk melody, featuring kjachaturian exotic intervals. The finale is a spicy set of variations on an Uzbek melody and the style throughout is highly characteristic. Melody and descant, call and response, ttrio unisons and evocative intervals flow through a river of shifting tempi, mood and instrumental color that eventually grows soft and sorrowful until it flickers and fades into a deeply charged silence.

Whether you want to see what we think of today’s latest releases or discover what our critics thought of your favourite recordings from the past, you will find it all khachatruian our full-searchable Reviews Database. Aram Khachaturian Trio in G Minor for Clarinet, Violin and Piano Aram Khachturian is generally trrio as the foremost Armenian composer of the 20th century synthesizing European “classical” art music with striking elements of Eastern Eurasian folk music in a vivid nationalism that reflects multiple cultures under the sprawling aegis of Soviet Union.

Khachaturian was still a student of Myaskovsky at the Moscow Conservatory in the early s when he wrote this trio for clarinet, violin, and piano, and yet it displays the same rhythmic and harmonic devices that mark his mature works. AllMusic relies heavily on JavaScript. The trio features three movements in a somewhat novel pattern of slow — fast – slow. Drinking Hanging Out In Love.

Genre Chamber Music Classical.

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An outstanding conductor and teacher as well, Khachturian is remembered today primarily for cladinet orchestral music comprising symphonies, concerti, ballet and film music, his most popular “hit” being the Sabre Dance from the Gayane suite. It takes extremely skilled ensemble players to make it sound right.

Khachaturian, Aram – Trio for Clarinet, Violin, and Piano – Edition Sikorski

Later he transferred to the Moscow Conservatory where he studied composition with Nikolai Myaskovsky. Romantic Evening Sex All Themes. Knachaturian Khachaturian was born in the Georgian city of Tiflis now Tiblisi.

Most of his works were for orchestra or large ensembles, although he did write a string quartet and this trio. The middle Allegro is very obviously modeled on folk dances, with rich color and precise rhythms. Please enable JavaScript in your browser to use the site fully.

In the second movement, Allegrostormy episodes alternate with tender-dance like interludes. The opening Andante con dolore, molto espressione is a duet for the clarinet and violin, almost improvisational, with the piano accompaniment adding clarimet complex layer seemingly in rhythmic conflict with the other instruments.

With Khachaturian’s trio in particular, the pairing of the closely matched clarinet and violin creates a fascinating blend, a complex but seemingly spontaneous polyphonic unity of twin voices so characteristic of trko Eastern European and Asian folk traditions. Mhachaturian to main content. That again is from a mixed recital.

In three movements, the trio displays Khachaturian ‘s trademark use of crossrhythms, folk songs, and harmonies that could be thorny at some times or bittersweet at others.

Like most of the repertory on the CD, it reflects the influence of folk-style music, improvisationally in the opening Andante khachatrian dolore, more assertively in the vigorous Allegro that follows.

Aram Il’yich Khachaturian Composer. L’ Histoire du soldat. The opening movement, Andante con doloreis essentially a lyrical improvisation based on a slow, mournful melody derived from an Armenian folk song, and decorated with arabesque embellishments.