From the album Mosaic: Classical Guitar Favourites. Check out La Catedral: I. Preludio Saudade – Agustín Barrios Mangoré by Rich Barry on Amazon Music. Stream ad-free or purchase CD’s and MP3s now on. Agustín Barrios Mangoré – La Catedral I Preludio Saudade power tab with free online tab player, speed control and loop. Download original Power tab.

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While still in his sublime experience he walks out of the church pa was shocked by all the chaos outside the walls of the church. One of the main differences that we find lreludio the account is in regards to which cathedral he used as an inspiration for the composition. The differences found are related to places and motives for caterdal the composition.

So what I want to do, is share some information and historical background of this composition. Also, as mentioned before, his woman at the time had died and he decided to write the prelude as a grief or mourning song. Regardless of the motivations for writing this movement, I believe we all agree that this prelude just enhanced the beauty of this incredible composition.

Genio de la Guitarra by Candido Morales. Bach works and he was one of the first guitarists to have performed a whole Lute Suite No. Also, it clearly adds to the marks of religiousness and spirituality portrayed in the suite.

Mangoré – La Catedral I. Preludio Saudade sheet music for Guitar

It is by these two movements that he described his experience with the Cathedral. Pictures of sheet music retrieved from: It is said, he was sick at the time and he was staying at the hotel which was really close to the Cathedral at Montevideo.


This could have been one of the motives for the elaboration on the prelude and make it a whole suite. But, we know as a fact that Gloria Zevan was with him at the moment of his death in August, in El Salvador.

I believe that knowing the circumstances, motives and historical background in which a song was written can prreludio should make a difference in your performance. Some argue the motive was a kind of sadness he had prleudio because of the death of his wife his sentimental partner since we have no records of his marriage Gloria Silva Zevan according to some authors.

There is one belief that it was written because of financial problems and another that Barrios was suffering from a kind of depression that lead him to compose the prelude. The story said that he was able to hear the bells of the church from his hotel room and that was his inspiration for the composition.

He was a great admirer of J. Many believe that because of these circumstances he decided to write this as a totally separate work.

Several concert programs from Habana, Cuba and El Salvador witness this fact. For more information on the subject please refer to the following books: So I decided to start reading and researching about the song. I hope that you have gained some insights about this incredible composition. Generally, this kind of music was highly regarded by listeners, it was considered intellectual music. We could mention that half way in the 20 th century it was a common trend in Europe to write music with 3 movements.

There are some differences in the facts shared by people about this masterpiece.

Mangoré – La Catedral I. Preludio Saudade sheet music for Guitar –

Amir April 16, at 8: Therefore, they argue the peeludio of this cathedral was wrong if this was Barrios source of inspiration. It was intended to portray the beauty and the extravaganza of the Baroque period. On a different note, you may be wondering about the style of the suite.


This undeniable fact is commonly agreed by all Barrios researchers. Also, there is a discrepancy about this movement in regards to the motives for writing it.

The contrasting sections are meant to represent the differences in his experience from the inside and outside of the Cathedral.

It is said that this composition was Cateddral tribute to Bach. This was his birthplace and it is said that after spending some time out of the city he came back to his home town and went to the cathedral. This is information I retrieved from interviews, written documents and blogs from some of the most dedicated professors, performers and historians on the music of Agustin Barrios.

So far, a pretty straight forward compilation of details; now the question, where are the differences in the accounts? This is why we can hear a clear contrapuntist style in the different movements and sections of this masterpiece. The real motive for writing this movement is unknown.

To my surprise, the information found on the subject is diverse. This movement represents the abandonment of tranquility and the spiritual atmosphere he experienced inside the cathedral. Historical Background on Repertoire. This concludes my little research of this magnificent composition.